Logolar

Butterly is a unique brush pen made font, a quick free handwritten with its unique texture and its personal charm. Butterly is perfect for branding projects, poster, homeware designs, product packaging - or simply as a stylish text overlay to any background image.

Jagerlay was brought to life to cope with diverse and complex data gathered in presentations, corporate identity and other office documents. Its geometric shape and characteristic endings are reminiscent of classic typography from Sci-Fi Movies from the 80’s. The simple design makes Jagerlay outstandingly easy to use for every user. Jagerlay pairs with other typefaces in the blink of an eye – it goes well with display, serif or script fonts.

Amfibia is a soft, flat-sided geometric grotesk family with a lot of character, equipped with tons of ligatures and swashes.

Germiona is modern font, every single letters have been carefully crafted to make your text looks beautiful. With modern script style this font will perfect for many different project ex: logo, photography, watermark, quotes, blog header, poster, wedding, branding, logo, fashion, apparel, letter, invitation, stationery, etc.

Trash is an experiment of typographic creation. I’ve tried to explore the limits of what is right and what is wrong in type design, to push the contrasts and the metrics to extreme values and try to have fun doing something cool and that I really like. For this, I’ve designed a commercial and contemporary type. It engages well as a display and can be adapted to small text size maintaining its structure and appearance.

This is a complex typographic system which includes three different but complementary styles so far: Slab, italic and script, with nine weights each one; plus three sets of ornamental fonts: labels, negative labels and ornaments.

The soul of the family is a slab feeling applied judiciously to the italic and script styles to make it coherent with the whole system.

Each style has three sets of figures: Proportional lining, tabular lining and old style.

You can mix the three styles in a single piece to obtain more expressive results without worring about the uniformity and complementing the design by using the ornamental sets.

http://www.mediafire.com/file/67jt90s8woqjqil/Alianza.rar

Allumi is a different font. Different from anything Jean François Porchez has designed in the past. Allumi is a sleek typeface designed with technology in mind.

It’s a perfect font family for any communication concerning design, robotics, or functionality. Pushed to its extreme limits, the Allumi shapes are neither perfectly round or geometrically square. It’s a human design with a high tech touch. Allumi can be described as the Eurostyle (designed by Aldo Novarese in 1962) of the new century, mixed with Frutiger. Allumi is a serious typeface because of the unique design and sturdy form. The pure shapes can create a global presence today with an eye on the world of tomorrow.

The family has been built around two series of widths, standard and extended. Italics have been carefully designed as slanted roman with all necessary optical and human corrections to create a perfect and neat italic.

http://www.mediafire.com/file/tnltq7a42t8ca0a/Allumi_Std_ORIG_by_Typofonderie.rar